Movie Review The Sting

Recipient of ten Academy Award nominations and winner of seven, including Best Picture, The Sting is widely lauded as one of the best films ever produced. Written by David S. Ward, whose unorthodox genius has produced such Hollywood hits as Major League (1989), King Ralph (1991), and Sleepless In Seattle (1993), The Sting boasts a superbly well-written screenplay, ripe with perfectly constructed dialogue as well as a plotline riddled with suspense. Directed by George Roy Hill, who previously teamed with Paul Newman and Robert Redford to create Butch Cassidy And The Sundance Kid (1969), it paints a colorful picture of 1930s Chicago. Complete with gangsters, games, illegal gambling, sex, and murder, what else could a show lover desire?

The Sting follows lifespan of the two-bit grifter named Johnny Hooker (Robert Redford). Hooker runs small-time jobs with Luther Coleman (Robert Earl Jones) and Joe Erie (Jack Kehoe). Business is decent until they pull the con of the lifetime with a greedy numbers runner. Hoping for a few dollars, they end making served by several thousand. But Doyle Lonnegan (Robert Shaw), the organized crime boss whose money they stole, places a winner on the three men that leads to Luther’s death. Caught within the crosshairs of dirty cop Lt. William Snyder (Charles Durning) along with a mysterious hit man (Dimitra Arliss), Johnny follows the advice of his dead mentor and contacts the top conman inside the world, Henry Gondorff (Paul Newman), expecting becoming his understudy.

โดจิน แปลไทย promises to pull “the big con” (the ultimate score for people), and also to sweeten the pot, he promises to make mark Doyle Lonnegan himself. Gathering a star-studded team of people, pick-pockets, and grifters, Gondorff and Hooker attempted to take Lonnegan for millions. Together, they create an adversary gambling operation in Chicago beneath the names of Shaw and Kelley. Hooker (a.k.a. Kelley) endears himself to Lonnegan in an attempt to win over the gangster’s trust. Convincing Lonnegan he’s got friend on the Western Union that can telegraph winning horses moments before a race is reported, Hooker gets Lonnegan to put a series of winning bets at Gondorff’s gambling parlor. Under the impression Kelley’s goal is always to break Shaw (a.k.a. Gondorff) and take control his establishment, both the agree to one further bet, with Lonnegan set to position a million dollars of his or her own cash the line. It’s a bet Gondorff and Hooker intend for Lonnegan to get rid of… But one problem remains. The FBI is hot around the trail of Gondorff, and perhaps they are determined to break his operation at any cost…

Far in front of it is time, The Sting redefined the Hollywood plot twist with its ingenious organization of multiple subplots. Newman is masterful because veteran cheat Henry Gondorff, and it’s well worth watching the complete film in order to begin to see the scene where he out-cheats the best cheat at cards. With a parade of eccentric characters, well-developed sinister figures, and clever exchanges of dialogue, The Sting isn’t your typical sensationalistic Hollywood potboiler. Like a great novel, the film takes a serious amounts of establish its characters and develop its plotline. Patient viewers will likely be well-rewarded…

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